Scenes that stay: Love Aaj Kal (Climax)

There are times you watch a film and one particular scene sticks with you for a very long time. It may be because it stumped you visually, had a catchy dialogue or moved you emotionally. With me, it’s mostly when a scene has emotional impact that it stays with me for years to come.

I am a movie buff. I love bollywood and I love watching films at any given point of time. I grew up on the cheesy 90’s flicks and unabashedly admit to watching films like Badshah, Yes boss, Biwi No.1 and even Ghar ho to aisa every single time they air on TV. I try not to miss a good release (and that excludes horrors like Happy New Year, Dilwale, Rowdy Rathore, Bodyguard etc) and catch every flick on the 70 mm screen. Even though I am not someone who cries during a film, I do feel moved or affected just as deeply and keep that emotion with me for a while.

Love Aaj Kal is a fairly good film. I liked it despite it’s flaws. I agreed with what it was trying to say – true love will find a way to come back to you; and once you have found your soulmate (for the lack of a better word) it is difficult to lead life with someone else or even alone; no matter how hard you try. Something will always be amiss. What takes the entire film a notch higher for me is the climax – Meera’s breakdown when Jai finally returns to her.

Pain, fear, relief, happiness – all rolled into one fine moment. I don’t know what it is about this 3 second scene that hits me hard every single time I watch it. It is deeply humanizing and shatters the glorified bollywood reunion of the hero-heroine where people clap as the heroine runs into the hero’s arms. You feel Meera’s pain as she tries to contain her emotions at his re-appearance. It is so brilliantly directed by Imtiaz Ali. It is these nuances that make him the master of the ‘romance’ genre. His films are more about discovering different facets of love than going through the motions of a formulaic film. Even though Socha Na Tha is his best film (After Tamasha, in my opinion) – this particular scene is somewhat of a masterstroke. The fact that she doesn’t breakdown in his arms like the typical heroine would is brilliant writing in it’s own right.

I didn’t look at Deepika the same way after this film. People usually credit the upswing in her career to Cocktail but this film showcased her talent long before. This scene and the one where Jai rants on her wedding day, while Meera stands there resolutely, are testament to her talent.

Special mention to Dooriyan – a song that never goes out of fashion for me. That song is magic.

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